Work
For Us
In this painting series I explore the intersection of imagination and resilience, informed by my experience teaching through the Freedom Education Project Puget Sound (FEPPS) at the Washington Corrections Center for Women (WCCW). Teaching fine art in a carceral setting has fundamentally reshaped my understanding of painting, not just as a visual practice, but as a means of survival, self-expression, and reclamation of space.
FEPPS provides an accredited college program for incarcerated students and supports pathways to higher education after release. Through my work with FEPPS, I have witnessed firsthand the power of imagination in environments designed to suppress it. My current series, For Us, reflects these experiences by depicting solitary figures surrounded by elements of their imagination. Each painting features a single figure, drawn from real models who are stalking survivors, each with a unique story of survival and resilience. These paintings challenge traditional portraiture by centering not the physical body, but the unseen forces that define a person’s reality: thought processes, stories, and imagination.
Bedscape Series
My work explores the intersection of the human body and its surroundings, often depicting interior and exterior scenes illuminated by reflective light. I am particularly interested in imagination as a tool for reinventing memory, and frequently incorporate elements of color theory through a limited palette in my compositions. Beyond aesthetics, I am deeply committed to art as both an academic pursuit and a means of healing. I believe art has the power to challenge and break boundaries, and I use my work to explore the complexities of space and togetherness.
Lately, my practice has focused on platonic intimacy. Bedscapes, a series of emotional fabric landscapes, illustrates this through naturalistic oil paintings that merge classical landscape traditions with my tangible obsession with bodily fabric. This body of work reflects a universal longing for shared calm at the end of the day.
Deeply influenced by the Romanticism movement, my work embraces emotion and nature over logic and industry. While I do not wish to overlook life’s harsh realities, the weight of struggle, solitude, and impermanence, I find a sense of freedom in feeling, imagination, and the organic world. In times of struggle, I turn to the small victories and peaceful routines that provide moments of calm, helping to restore balance in the midst of chaos. Ultimately, my work underscores the fundamental need for partnership and peace, a shared desire for connection and harmony.












Memory Hoarder Series

















Natural Dye Series




















Embodied Series













